a quick bio for you to read and for me to copy/paste lol

After stumbling upon LSDJ in 2011, then doing nothing until 2016 because of her studies, Marie started creating hard-hitting, melodic and frantic chiptune with the support of the local DIY/antifascist squat L'Ecluse from her quaint hometown of Rheims. Since relocating to Paris in 2017, she released breakout EP Zenzoo Pop and started extensively touring across Europe, becoming a mainstay in the European chip scene. In 2019, she unleashed the catchy and emphatic Do No Harm on Bytedoll Records while receiving high praise for her sets at events such as Square Sounds Melbourne (Australia), Chipwrecked (Denmark), Stranger Bits + 8bit Breakdown (Germany), I/O + 8static + Magfest (USA), Hyperwave x µcollective (England)... She is also very active beyond the scenes in the French chip scene, booking local and international acts in Paris with the help of the All You Can Eat collective. (bio written by S.Chibikh)

>> Marie a commencé à composer de la chiptune percutante, mélodique et frénétique avec le soutien du squat DIY/antifasciste local L'Ecluse (Reims). Une fois à Paris en 2017, elle a sorti l'EP Zenzoo Pop (label Pantypop) et a commencé à faire de nombreuses dates à travers l'Europe, devenant un pilier de la scène chiptune européenne. En 2019, elle a sorti le très catchy Do No Harm sur Bytedoll Records, tout en recevant des éloges pour ses sets à Square Sounds Melbourne, Chipwrecked (Danemark), Stranger Bits + 8bit Breakdown (Allemagne), I/O + 8static + Magfest (États-Unis), Hyperwave x µcollective (Angleterre)... Elle fut également active côté organisation de concerts, en bookant des artistes 8-bit locaux et internationaux à Paris avec l'aide du collectif All You Can Eat. (bio écrite par S.Chibikh)

thoughts about chiptune & music & life in general

don't listen to the elitists. use whatever tools you like while keeping in mind the goals and histories of the genres. artists shouldn't have to get into financial trouble to play at a show, the orga teams have to prove the artists they really want them. when a scene/event/hobby fetishises specific hardware, it excludes those who can't afford it. lineups should never be 100% male or 100% white, talent comes from everywhere. covid is not over and people still die or become disabled from it. strobes suck, they're a trend that should have died long ago and using them excludes a lot people from shows. death to all imperialisms. free palestine.